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Joshua
James

College: University of Colorado - Denver

Degree: BS in Recording Arts and BS in Music Business [In Progress]

Current Employment: Audio Engineer @ Fiske Planetarium
 

Who am I?

Hello there my name is Joshua James, I'm a passionate and experienced audio engineer with nine years of experience, specializing in immersive sound design, live audio production, and studio recording. Currently, I work at Fiske Planetarium on the campus of University of Colorado-Boulder, where I create dynamic and spatial audio experiences that bring storytelling and live performances to life. I am also completing a double major bachelor degree in Recording Arts and Music Business at the University of Colorado Denver, further expanding my technical expertise and industry knowledge.

With a deep understanding of soundscapes, acoustics, and cutting-edge audio technology, I strive to craft high-quality audio for a variety of projects, from live events to studio productions. Whether mixing, mastering, or designing immersive sonic environments, I bring precision and creativity to every project. Let's collaborate to bring your sound to life!

Location

9975 Wadsworth Parkway K-2, Unit 170, Westminster, CO, 80021

Contact

Email: joshua@blackaudio.co

IG: @blackarcaudio

CURRENT PROJECTS BELOW

Project Title 03

This is the space to introduce the Projects section. Give a brief overview of the types of projects featured below.

Project Title 04

This is the space to introduce the Projects section. Give a brief overview of the types of projects featured below.

Project Title 05

This is the space to introduce the Projects section. Give a brief overview of the types of projects featured below.

Project Title 06

This is the space to introduce the Projects section. Give a brief overview of the types of projects featured below.

Project Title:
"Crashing Out"

Client: Ethereal Compass

Genre: ----

Recorded: 02/18/2025

Mixed: Not Yet

Mastered: Not Yet

Screenshot_20241212_140004_Photos_edited.png
Crashing OutEthereal Compass (RAW)
00:00 / 01:04
Crashing OutEthereal Compass (MIX)
00:00 / 01:04

Project Overview:

I served as both the engineer for Ethereal Compass' next single currently dubbed "Crashing Out". My primary role involved managing the entire production process, from tracking to mixing to mastering, while ensuring the sound stayed true to the raw, aggressive energy of punk metal. The project aimed to blend high-octane punk rhythms with metal’s heavy, distorted tones.

Responsibilities:

Recording:

  • Engineered all tracking sessions, managing multiple recording techniques to capture the dynamic performances of each band member, ensuring each instrument’s tone can stand out in the mix.

  • Led drum tracking using a combination of overhead and room mics to capture the full impact of the aggressive drum sound.

  • Captured intense guitar and bass tones through mic’ing various amps, adding distortion to the recording to emphasize the genre's intense nature.

  • Oversaw vocal recording, using a Shure SM58 and adding distortion effects for grit and aggression to match the band’s style.

Mixing:

                             [In Progress]

Mastering:

                          [In Progress]

Challenges & Solutions:

Challenge: 

  • The band had a lot of raw energy, which made capturing their live sound without it becoming too chaotic a challenge.

 

Solution:

  • I employed a mix of isolation techniques and room mics to maintain energy while ensuring clarity in the final mix. Using a combination of distortion and reverb, I created a sense of space without losing the album’s rawness.

Project Overview:

I served as both the engineer for Ethereal Compass' next single currently dubbed "Crashing Out". My primary role involved managing the entire production process, from tracking to mixing to mastering, while ensuring the sound stayed true to the raw, aggressive energy of punk metal. The project aimed to blend high-octane punk rhythms with metal’s heavy, distorted tones.

Responsibilities:

Recording:

  • Engineered all tracking sessions, managing multiple recording techniques to capture the dynamic performances of each band member, ensuring each instrument’s tone can stand out in the mix.

  • Led drum tracking using a combination of overhead and room mics to capture the full impact of the aggressive drum sound.

  • Captured intense guitar and bass tones through mic’ing various amps, adding distortion to the recording to emphasize the genre's intense nature.

  • Oversaw vocal recording, using a Shure SM58 and adding distortion effects for grit and aggression to match the band’s style.

Mixing:

                             [In Progress]

Mastering:

                          [In Progress]

Challenges & Solutions:

Challenge: 

  • The band had a lot of raw energy, which made capturing their live sound without it becoming too chaotic a challenge.

 

Solution:

  • I employed a mix of isolation techniques and room mics to maintain energy while ensuring clarity in the final mix. Using a combination of distortion and reverb, I created a sense of space without losing the album’s rawness.

Project Overview:

      I served as both the engineer for Ethereal Compass' next single currently dubbed "Pick Up The Phone". My primary role involved managing the production process, from tracking to mixing to mastering, while ensuring the sound stayed honest to this welcome departure from Ethereal Compass' usual high distortion heavy metal grooves. Introducing Ethereal Compass' first dive into slower, more emotional tones of Alternative Rock. This project aimed to let the music have more natural tones of the instruments, while also adding enough effects to make the recording studio sound larger than life itself.

Responsibilities:

Recording:

  • Engineered all tracking sessions, managing multiple recording techniques to capture the dynamic performances of each band member, ensuring each instrument’s tone was reliably shown in the mix.

  • Captured melancholy guitar tones through mic’ing various amps.

  • Oversaw vocal recording, using a Shure SM58 and adding reverb and delay effects to make it seem as if you are standing in a intimate music hall

Mixing:

                             [In Progress]

Mastering:

                           [In Progress]

Challenges & Solutions:

Challenge: 

  • The band had a lot of raw energy, which made capturing their live sound without it becoming too chaotic a challenge.

 

Solution:

  • I employed a mix of isolation techniques and room mics to maintain energy while ensuring clarity in the final mix. Using a combination of distortion and reverb, I created a sense of space without losing the album’s rawness.

Project Title:
"Pick Up The Phone"

Client: Ethereal Compass

Genre: Alternative Rock

Tracked: 11/22/2024

Mixed: 12/19/2024

Mastering:  [On Hiatus]

Landline Earpiece
Pick Up The PhoneEthereal Compass (RAW)
00:00 / 01:04
Pick Up The PhoneEthereal Compass (MIX)
00:00 / 01:04
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